Often time s when one looks at the end product, be it a
book, a sculpture or painting we here
the exclamation that it’s the work of a genius blessed by God. Daniel Coyle
shatters this Myth in his book “The Talent Code”
“The great piano
virtuoso Paderewski was once playing before an audience of the rich and the
royal. After a brilliant performance, an elegant lady waxed ecstatic over the
great artist. She said, ‘Ah Maestro, you are a genius!’ Paderewski tartly replied,
‘Ah yes, madam, but before I was a genius I was a clod!’ What he was saying was
that his present acclaim was not handed to him on a silver platter. He, too,
was once a little boy laboriously practicing his scales. And even at his peak,
behind every brilliant performance there were countless hours of practice and
preparation.”
“Consider Michelangelo. From ages six to ten he lived with a stone-cutter and his family, learning how to handle a hammer and chisel before
he could even write. After a brief, unhappy attempt at schooling, he
apprenticed to the great Ghirlandaio. He worked on blockbuster commissions,
sketching, copying, and preparing frescoes in one of Florence’s largest
churches. He was then taught by master sculptor Bertoldo and tutored by other
luminaries at the home of Lorenzo de’ Medici, where Michelangelo lived until he
was seventeen. He was a promising but little-known artist until he produced the
Pietà at age twenty-four. People called the Pietà pure genius, but its creator
begged to differ. “If people knew how hard I had to work to gain my mastery,”
Michelangelo said, “it would not seem so wonderful at all.”
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